Jeffrey Silverstein

Jeffrey Silverstein at The Lexington

Meeting at the intersection of the loner-folk, cosmic country and kraut-laden choogle, from Doggone’s opening pulse of rhythms to its closing cascade of synths, listeners encounter a musician fully rooted in the creative community around him and firmly held by the life he’s built over the last decade.

Where his past several releases saw the New Jersey native settling into life in the Pacific Northwest—observing, appreciating, getting the lay of the land—and finding his footing in the alt-Americana sphere into which he unexpectedly fell, with Doggone, he’s immovable, intentional, and most of all, at peace.

Committed to nurturing his local circle, he called upon a faithful group of Portland-based collaborators, a rolodex of heroes-turned-friends, like producer-composer Ryan Oxford (Y La Bamba, Rose City Band), bassist Alex Chapman, and drummer Dana Buoy (Akron/Family). Together they gathered at the Center for Sound, Light and Color Therapy to record Doggone, which was then mastered by Amy Dragon (Big Thief, Nathaniel Rateliff and Moon Duo).